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Hello everyone,
Below are a few pointers or things to look out for when you're going to critique on an image from our gallery. Please read them carefully. They aren't rules, but that doesn't make them any less important!
One: Before you critique an image, please check whether or not that particular picture has already received critique. If it hasn't, you can obviously critique away! If it has however, please read those critiques first to see if there is anything useful you can still add, or simply move on to an other picture from our gallery. This is purely to prevent you wasting your time saying things that have already been said, not to mention that it would obviously be better if critiques are equally distributed over all of the pictures in our gallery, rather than a few pictures receiving tons of critique and others being left unnoticed.
Two: If you're going to critique, please consider your own abilities and knowledge. This is not to say that a less experienced artist can't point out flaws in a more experienced artist's work, but if you, for example, have very little understanding of color and light, it would probably be best to not focus on color and light in your critique as you may give false advice that way. You could of course point out that there is something wrong with the lighting if you feel that there is, but if you don't know how to fix it, please don't guess. No advice is better than wrong advice!
Three: Read other people's critiques, as advise given to other artists may well be just as helpful to you!
Four: Although this is not a must, it would be nice if you mentioned that you found the artwork via our group. The more members we can get, the better!
Note that this list is prone to change and that things may be added/removed. Feel free to suggest anything you find important when critiquing an image!
~ Lhune
Founder of SeriousArtists
Below are a few pointers or things to look out for when you're going to critique on an image from our gallery. Please read them carefully. They aren't rules, but that doesn't make them any less important!
One: Before you critique an image, please check whether or not that particular picture has already received critique. If it hasn't, you can obviously critique away! If it has however, please read those critiques first to see if there is anything useful you can still add, or simply move on to an other picture from our gallery. This is purely to prevent you wasting your time saying things that have already been said, not to mention that it would obviously be better if critiques are equally distributed over all of the pictures in our gallery, rather than a few pictures receiving tons of critique and others being left unnoticed.
Two: If you're going to critique, please consider your own abilities and knowledge. This is not to say that a less experienced artist can't point out flaws in a more experienced artist's work, but if you, for example, have very little understanding of color and light, it would probably be best to not focus on color and light in your critique as you may give false advice that way. You could of course point out that there is something wrong with the lighting if you feel that there is, but if you don't know how to fix it, please don't guess. No advice is better than wrong advice!
Three: Read other people's critiques, as advise given to other artists may well be just as helpful to you!
Four: Although this is not a must, it would be nice if you mentioned that you found the artwork via our group. The more members we can get, the better!
Note that this list is prone to change and that things may be added/removed. Feel free to suggest anything you find important when critiquing an image!
~ Lhune
Founder of SeriousArtists
Special Guest Journal: A New Book for Artists
This journal comes from !claralieu (https://www.deviantart.com/claralieu), an art professor who would like to share with prospective artists a book that they have completed writing that may help and aid those who are looking to succeed in their art beyond their current level of accomplishment. Cheers!
Clara writes:
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I'm an art professor, and I would like to share with you the publication of my new book, "Learn, Create, and Teach: A Guide to Building a Creative Life." This book delivers succinct, practical, and candid advice that addresses both common concerns in the creative path and the challenges an artist faces in the real wo
Please do not submit work to the 'Featured' folder
Hello everyone,
This is a general notification that concerns the purpose of the 'Featured' folder. All of the other folders are pretty self-explanatory - Studies and Practice, Finished Works, etc. The Featured folder, however, is something that I need to clarify in terms of its function.
:star:The Featured folder is a folder dedicated to works that the founder selects for display. These works are selected due to their exemplary display of improvement for the original artist, or displays a helpful tool for others to access and learn from.
:star:The Featured folder is NOT a folder to submit to when you are selecting work to submit to Serious
The Observation Challenge - Deadline Reminder!
Hello fellow Serious Artists!
It's time for our first inter-group challenge! This challenge's subject is Observation, as a follow-up on our last blog entry, which you can find here. All members may participate! Non-members are obviously welcome to partake in the event if they so choose, but they will not share the members' privilege of being able to receive critique or advice upon request, nor will they be listed in this entry; in short, non-members are on their own, but the value of the practice remains the same for everyone!
Finay day of week 3 folks! Finish your final pieces now and be sure to combine them so I can add them to this entry
The importance of observation.
Hello everyone,
I would like to press this in a blog entry, because I'm starting to repeat myself in my critiques for the Studies & Practices section.
You can't learn anything new from what's already in your head.
If you don't actually study something, you can hardly call the result a study. I feel as though the skill of observation is being underrated, which is surprising, because I'm not exaggerating when I say that over half of any artist's skill is due to their ability to observe, if not more. Therefor, if you do not train your observation skills and practice purely your drawing ability, you really won't make much progress.
So for any
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Comments1
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These are some good ground rules. ^-^ I'll keep these in mind!